Side Notes on Paul Klee’s Southern Gardens

In my study, nursing a bottle of beer, looking at a picture of Paul Klee’s Southern Gardens on my computer.

The triangles bother me a little, especially the ones on the top left and top right. On each side, an upright triangle’s nose meets an inverted triangle’s nose, reminding me of hourglasses. Could they be erupting volcanoes? I am choked by a discomfort when I look at the red, inverted triangle on the top right. Doesn’t it look like a dissolving heart?

The crowd of quadrilaterals, mostly consisting of squares and rectangles with rough edges, is what makes this piece aesthetically pleasing. Each quadrilateral is a box of organized chaos.

The plants in pots, I see them, but my eyes don’t dwell on them. They’re neutral transformers. They have only one job to do: transmute the canvas into a garden.

And the garden is beautiful, and it absorbs boredom like a sponge.

Side Notes on Paul Klee’s In the Style of Kairouan

Looking at a 1914 watercolor and pencil painting by Paul Klee. It’s called In the Style of Kairouan, and it is considered Klee’s first abstract work.

Something about the work makes me feel like I’m reading someone’s diary — in this case, Klee’s diary. It is a profoundly personal journal entry written in a language that only sounds familiar but isn’t. I cannot see this painting from the other side. I cannot see it through Klee’s eyes, using his mind to decrypt the work, and this keeps me from understanding the thing in itself but it’s fine because it is an opportunity to drift freely and enjoy a moment of meaning creation. At first, I explore the surface of the work intensely. I actively form interpretations in my mind, and then I let go and get lost in it like a log in the middle of the sea.

There is a simplicity in the painting that almost makes me uncomfortable. Rectangles/quadrilaterals of different colors and sizes fill the space. There’s no room to breathe. Then, unpretentious circles come to turn the collage of rectangles into… art.

Most of the rectangles/quadrilaterals stand vertically, except a few. The circles live inside the horizontal ones, but not all horizontal rectangles/quadrilaterals have circles in them. The left side of the painting is conquered by the spirit of red; the right side by the spirit of green.

Could it be that Klee’s unconscious did most of the work?

I’d like to believe it’s a moment of boredom that served as the fertile soil for this piece.

Although there’s nothing to see here, there’s a lot to stay for.

Chris Khatsch at Mareva Beirut Lebanon Reviewing the Rocky Patel DBS Cigar

Have a Cigar: Rocky Patel DBS Toro

Name: Rocky Patel DBS Toro
Country: Nicaragua
Shape: Parejo
Size: Toro (6 1/2 inches x 52)
Strength: Medium-to-Full

The Rocky Patel DBS Toro is a good-looking cigar. As soon as your gaze lands on it, you are invited to pick it up and, even if you’re not going to choose it, you at least hold it for a moment and imagine yourself smoking it.

This time, the owner of the cigar lounge suggested I try it, and since I know that he knows what I like, and since I enjoy Rocky Patel cigars already, I went ahead with it.

I paired it with espresso and sparkling water.

The Rocky Patel DBS Toro burned slowly and (somewhat) evenly. It had an excellent draw and produced a generous amount of smoke. I got notes of wood, cocoa powder, earth, and pink peppercorn.

The amount of time it took me to smoke it was somewhere between 90 minutes and two hours.

When I smoke it next time, I think I’ll pair it with aged rum.