Powerful and Thought-Provoking Quotes from Chomsky's Anarchism

Quotes from Noam Chomsky’s On Anarchism

In this post, I’m sharing powerful, thought-provoking quotes from Noam Chomsky’s On Anarchism. I will start with one that feels compatible with the concept of ungorvenment I discussed in a previous post, where I argue that “we need something we’ll call ungovernment (for now)which is an institution (or a yet undefined thing) whose role is to remove unnecessary control and restore agency, responsibility, and decision-making to individuals.”

… at every stage of history our concern must be to dismantle those forms of authority and oppression that survive from an era when they might have been justified in terms of the need for security or survival or economic development, but that now contribute to — rather than alleviate — material and cultural deficit.

– Noam Chomsky, On Anarchism

The second quote is a rewording by Chomsky of Kant’s defense of the French Revolution:

Freedom is the precondition for acquiring the maturity for freedom, not a gift to be granted when such maturity is achieved.

The third quote is on wage slavery.

If capital is privately controlled, then people are going to have to rent themselves in order to survive. Now, you can say, “they rent themselves freely, it’s a free contract” — but that’s a joke. If your choice is, “do what I tell you or starve,” that’s not a choice — it’s in fact what was commonly referred to as wage slavery in more civilized times, like the eighteenth and nineteenth centuries, for example.

– Noam Chomsky, On Anarchism

(Later in the book, we read the shorter version of the above. Chomsky says, “I think wage slavery is an attack on fundamental human rights.”)

Now, the fourth quote. And I think this can be an add-on to the concept of ungovernment that I’m building. The government has to justify why constraints are in place, and the people must have the right to question it and the right to request amendments.

People have the right to be free, and if there are constraints on that freedom then you’ve got to justify them.

– Noam Chomsky, On Anarchism

And the last one, which reminds us of what Herbert Marcuse says in One-Dimensional Man.

Remember, there are all kinds of ways of thinking that are cut off from us in our society — not because we’re incapable of them, but because various blockages have been developed and imposed to prevent people from thinking in those ways.

– Noam Chomsky, On Anarchism

What Killed Art

In a forgotten pub, a Gen Z and a Millennial sat at the bar side by side on bar stools. The Gen Z’s bar stool squeaked every time he moved; the one the Millennial sat on didn’t. There was no electricity, but the night sky was clear, stars shone, and the moon was full, so, although minimal, enough moonlight entered the pub through the broken window behind them. The bartender was a skeleton wrapped in spider webs, but he still served them drinks somehow. The Gen Z was having his fifth Cognac and Coke, but the Millennial’s first pint of beer remained untouched.

“I was born to be an artist,” the Gen Z said. “But now it looks like art died before my time.”

“Don’t take it too hard,” the Millennial said, smiling. “Art died before my time, too. Much before my time, in fact. And it’s not just art that died. They also said that God is dead, philosophy is dead, and they even claimed that love is dead.”

“So, you’re saying that, basically, everything that once made us human is either dead or dying.”

“Unfortunately.”

“But who killed art? Who killed God? Who killed philosophy? Who killed love?”

“You want me to give you the names of the murderers, but I can only give you the names of those who wrote the obituaries. I’ll name them: Georg Wilhelm Friedrich Hegel, for instance, announced the death of art; Friedrich Nietzsche announced the death of God; Stephen Hawking announced the death of philosophy; Byung-Chul Han announced the death of love. And I’m sure there are others who made the same or similar announcements. Journalists outnumber newsworthy events. But does it really matter who found the corpses? I have a feeling you don’t really care. I can see it in your eyes.”

“You’re right. I don’t care,” the Gen Z said. “What I want to know is the cause of death of art. What killed it? Can’t you tell me, please, who killed it?”

“Hm, well, the answer is more depressing than art’s funeral,” said the Millennial. “Do you really want to know?”

“Yes.”

“Then, let me tell it to you as it is. There are no murderers. No killers except time. After a long battle with history and technological progress, art passed away in her sleep of natural causes.”

The Gen Z let out a long sigh and said, “If what you are saying is true, then how come there’s still so much art, religion, philosophy, and love in the world?”

“Ah! That’s an excellent question,” the Millennial said. “But it’s the wrong question.”

“What?” the Gen Z was surprised. “Why?”

“I really wish I could spend more time with you in this forgotten place,” the Millennial suddenly rose from his place. “You may be onto something here, so I encourage you to keep looking. But I must now disappear.”


This piece was first published on my Substack on July 6, 2026.

Alec Bradley Black Market Cigar review by top cigar reviewer from Lebanon.

Have a Cigar: Alec Bradley Black Market Gordo

Name: Alec Bradley Black Market Gordo
Country: Honduras
Shape: Parejo
Size: Gordo (6 inches x 60)
Strength: Medium-to-Full

Well-constructed and nicely branded, Alec Bradley’s Black Market Gordo is a big, medium-to-full-bodied cigar that burns evenly and produces thick clouds of beautiful, creamy smoke. Let’s just say I had no “technical” difficulties smoking it. Pretty decent and pretty steady throughout. The major notes I got were dark roast coffee, wood, and earth. The subtler notes were spicy and occasionally floral. Overall, a very decent smoke.