Have a Cigar: Umnum Canonazo

Name: Umnum Canonazo

Country: Nicaragua

Shape: Parejo

Size: Robusto (5 1/4 inches x 52)

Strength: Medium to Full

The Umnum Canonazo is a medium-bodied cigar, leathery and earthy, perfect for casual hangouts and night outs.

I smoked mine while I enjoyed a couple of glasses of Johnnie Walker Black Label with my fiancée at a place called BistroBar Live in Dbayeh. I feel you can also pair Umnum Canonazo with a simple gin cocktail like gin basil or gin tonic. But I’ll have to try that another time.

Cigars are something, aren’t they?
While some find it rude
or disrespectful
when you light one in their presence,
the cigar actually humanizes its smoker.

Fire and smoke.
Thinking and thoughts.

You can gaze into the red eye,
and you can read the words in the rising smoke.

“I accomplished something, and this is my reward.”
“I need a break, and this is it.”
“Stay away! I need time to think.”
And sometimes, “Let’s converse
and lick each other’s thoughts.”

A cigar every now and then will do you good.
Don’t be afraid to burn your hourly rate on a night out,
and, on special occasions,
burn your daily wage bravely.
Taste a good cigar! You deserve it.

Romeo Y Julieta Short Churchill Cigar Review. Beirut, Lebanon.

Have a Cigar: Romeo Y Julieta Short Churchill

Name: Romeo Y Julieta Short Churchill

Country: Cuba

Shape: Parejo

Size: Robusto (4 7/8 inches x 50)

Strength: Medium

It was a hot Wednesday night, and we were having dinner outdoors at Cinco in Broummana. In a bubble of loud and bassy music, I lit the Romeo Y Julieta Short Churchill, my first Cuban cigar ever.

After the first few puffs, I took a deep breath, and it felt like I inhaled the night. It was wonderful.

Medium flavored and perfectly balanced, I smoked this cigar until my fingers burned. I paired it with Famous Grouse Smoky Black at first, and then I switched to pilsner. Both went pretty well with it.

I inhaled the night.
I inhaled the night like I used to in Hamra
but this time in Broummana.

The year: 2021.
The month: July.
Temperature: Hot.
Humidity: High.

Bars and restaurants were swarming with
hungry, horny, thirsty
people (hedonistic automatons)
as usual
as if Covid-19 was already history,
as if the Lebanese pound was strong and stable,
as if the Beirut port explosion never happened,
blah, blah, (I’m so drunk writing this)
and all the brouhaha.

Cars honked at high heels and tight dresses.
The valets then took those cars and parked them in parallel universes.

I inhaled the night.

I could smell the perfumes of rivals in a love triangle.
I could smell the sweat of the working-class, the hard workers.
I could smell garbage and sulfur.

The ghosts of
the dreams and desires of my generation
filled my lungs.

I needed to burn something.
I needed a smoke.

The hostess took me to the table
where my friends were sitting,
chit-chatting, already moving
to the beat.

That night,
I tasted what Lebanon could have been,
and I tasted my first Cuban cigar.

“For never was a story of more woe than this of Juliet and her Romeo.”

As the electronic beats’ vibrations massaged my glutes,
I smoked, and
I observed the night.

I saw Beauty in a long-term relationship with Sadness.
I saw Past and Present sitting on high stools facing one another,
smoking cigarettes and sharing memories.
There was a third stool at their table, but it was empty.

I drank. I observed.
I ordered many drinks, and I drank
while I observed.

Yes, well, it seemed everyone was outdoors
living in a bubble of loud and bassy music
as if they weren’t suffering, or mourning, or dying.

There was life.
But where the music did not reach, life did not either.

Hedonists everywhere! And I was a hedonist
partying like
après moi, le déluge.
Every now and then, one must party like
après moi, le déluge.

So, I drank until everybody was drunk.

But though we were partying like free spirits,
I knew we weren’t free at all.
We were, in fact, afraid of freedom.
We were, in fact, only acting like we were free.

Paulo Freire said it right in Pedagogy of the Oppressed.
“Freedom is acquired by conquest, not by gift.
It must be pursued constantly and responsibly.”

Drink Responsibly,” the sign said.
(I’m so drunk writing this.)

And “It is solely by risking life that freedom is obtained,” Hegel said
in one of his books.
But we are not ready to risk anything.
We lost everything.
We don’t have the means to risk anything.

Let me tell you,
the air was so humid all foreheads shined like stars.

“My Death” by Bedros Tourian

Bedros Tourian (1851-1872) was an Armenian poet and playwright. This is my translation of “My Death” from Armenian to English.

My Death

If the grim angel of death
Descends to face me with a baseless smile,
And my pains and soul evaporate,
Know that I am still alive.

If, with my forehead shining with tears,
In a shroud, like a cold rock,
They wrap me, lay me in a black casket,
Know that I am still alive.

If, at my bedside, my exemplar,
A taper – feeble and wan –
With a cold ray shimmers,
Know that I am still alive.

If the sad bell tolls,
The wicked laughter of death vibrates,
And my coffin takes its silent step,
Know that I am still alive.

If those funeral singers
Who have dark and dismal faces
Spread incense and prayers
Know that I am still alive.

If they decorate my grave,
And with sobbing and mourning
My dear ones depart,
Know that I am still alive.

But if it remains unmarked,
The only pile of earth of mine
In the world, and your memory of me fades
Ah! This is the time when I die.