Book Review and Quotes from Robert D Kaplan's The Tragic Mind: Fear, Fate, and the Burden of Power

Notes and Quotes from Robert D. Kaplan’s The Tragic Mind

The main message of Robert D. Kaplan’s The Tragic Mind is this: that political leaders and decision makers ought to think tragically. They need to be aware that, although there is good and evil in the world, politics is more often about a “battle of good against good.” They also need to be aware that, even though a decision must be made, political outcomes cannot always be win-win or even win-lose. Sometimes, all possible outcomes are lose-lose outcomes, and the decision maker must choose which lose-lose outcome is best.

Notes on The Tragic Mind: Fear, Fate, and the Burden of Power

The Hobbesian Kaplan. — Kaplan is Hobbesian. He almost always prefers order over chaos because, like Hobbes, he seems to believe that the state of nature is a state of war. As Hobbes put it in Leviathan, “There is always war of everyone against everyone. Hereby it is manifest that during the time men live without a common power to keep them all in awe, they are in that condition which is called war; and such a war as is of every man against every man.”1 Correspondingly, Kaplan writes, “The fact that the state should monopolize the use of violence rescues us from the worst of fates: anarchy.” And “even the worst regime is less dangerous and terrifying than no regime at all.” (Here, however, one must ask: What would the colonized man say? What would someone who has read Fanon’s The Wretched of the Earth say? Is it better to be dehumanized but for there to be order, or is it better to be free but for there to be chaos? Would you rather die free or live without dignity as a slave? These are questions worth asking.)

Crito Inverted. — Kaplan writes that “the state comes before humanity.” And later in the book, with Melville’s Billy Budd given as an example, we see how this also means that the law comes before the individual. Again, Kaplan talks about “the tragic necessity of order above all other concerns.” And repeats Camus’s words on Billy Budd: “In allowing the young sailor, a figure of beauty and innocence whom he dearly loves, to be condemned to death, Captain Vere submits his heart to the law.” In a way, what we have here is Plato’s Crito inverted. In Crito, Socrates says that the law is like a father and the individual is like a child. The individual belongs to the state; therefore, he must obey the law even if unjust. So, when Crito comes to help him escape, Socrates chooses to remain in his cell and, therefore, die. In the first story, then, the punisher proceeds with the punishment even when he doesn’t want to; in the second story, the punished person accepts his punishment even when he gets an opportunity to escape it. Why? Simply because the law is the law.

The Burden of Power. — Most people live in a black-or-white world. Or, at least, they believe they do. For them, there’s the right thing to do and there’s the wrong thing to do. Kaplan says that “it is so much easier to be an intellectual or an artist or a journalist than to be a king or political leader.” Why? Because a political leader’s job is far more complex and much more nuanced than the outsider can imagine. “The truths that journalists speak aloud are not just the truths that those in power obscure, but often the truths that the powerful are very much aware of but cannot do or say anything about publicly, for fear of making the situation even worse.”

Quotes from Robert D. Kaplan’s The Tragic Mind

Fate is something we do to ourselves and afterward blame the gods.

– Robert D. Kaplan, The Tragic Mind

To be wise is one thing, but to struggle against impersonal forces of fate when defeat seems certain constitutes true greatness.

– Robert D. Kaplan, The Tragic Mind

History rarely repeats and usually doesn’t even rhyme, despite the line often misattributed to Mark Twain.

– Robert D. Kaplan, The Tragic Mind

To comprehend your own insignificance is neither defeatism nor cowardice but the opposite. Once again, to act, and to act bravely, even in the face of no great result, constitutes the ultimate in human grandeur.

– Robert D. Kaplan, The Tragic Mind

[1] The original text, in Hobbes’ weird-old English, goes like this: “There Is Alwayes Warre Of Every One Against Every One Hereby it is manifest, that during the time men live without a common Power to keep them all in awe, they are in that condition which is called Warre; and such a warre, as is of every man, against every man.”

Book Review and Quotes from Atul Gawande's Being Mortal

Notes and Quotes from Atul Gawande’s Being Mortal

This morning, I spent some time reorganizing my bookshelves before the start of my workday. Reorganizing my books relaxes me. It’s like a mindfulness session, if you know what I mean. So, sometimes, I do it for that reason alone.

When I picked up Atul Gawande’s Being Mortal: Medicine and What Matters in the End, I began to flip through its pages and went on reading the sentences I had underlined years ago. I remember loving the book. I remember reading it back when I was “studying” death: What is the meaning of death? How does the awareness and the fear of death affect us? What is the death instinct? How does one prepare to die? Etc. Besides the classics like Ernest Becker’s The Denial of Death and Sigmund Freud’s Beyond the Pleasure Principle, Gawande’s Being Mortal was one of the books I ended up reading.

Being Mortal talks about aging and the inevitable conclusion of life. More precisely, it talks about what medicine can do about these inescapable realities.

Here I am now, sharing, for no particular reason and after so many years, some of the sentences I had underlined, and they are not necessarily about death…

First Quote

Nothing that takes off becomes quite what the creator wants it to be. Like a child, it grows, not always in the expected direction.

– Atul Gawande, Being Mortal

I like this quote because it can live outside the book it was created for. Even when used out of context, it still delivers a philosophical insight. In a way, it does not need its surrounding words; on the contrary, its surrounding words become more meaningful when it is added to them… So, let us take this quote and walk out of the book for a moment. Doesn’t it make us want to ask the following: Can the creation transcend what it was created for? And is not the answer a resounding yes? Think about it.

Second Quote

The only way death is not meaningless is to see yourself as part of something greater: a family, a community, a society. If you don’t, mortality is only a horror. But if you do, it is not.

– Atul Gawande, Being Mortal

Aloneness will, sooner or later, swallow us whole if we don’t chain ourselves to an idea that is larger than life. One cannot live a fulfilling life without believing in something. As they say, a good reason to live for is simultaneously a good reason to die for.

Third Quote

All we ask it to be allowed to remain the writers of our own story. That story is ever changing. Over the course of our lives, we may encounter unimaginable difficulties. Our concerns and desires may shift. But whatever happens, we want to retain the freedom to shape our lives in ways consistent with our character and loyalties.
This is why the betrayals of body and mind that threaten to erase our character and memory remain among our most awful tortures.

– Atul Gawande, Being Mortal

Gawande repeats this idea in different parts of the book. I’d even say that he repeats it more poetically elsewhere. Don’t worry, however; the quote I chose delivers the message clearly. What Gawande keeps communicating throughout the book is that life becomes meaningful when it feels like a story. When you lose chapters of your story or when you’re no longer able to connect the dots of your self, life loses its meaning. Life doesn’t only end when one’s story ends. Life also (figuratively) ends when it ceases being a story.

Fourth Quote

Patients tend to be optimists, even if that makes them prefer doctors who are more likely to be wrong.

– Atul Gawande, Being Mortal

This is already observable with the naked eye: A person has the tendency to prefer the flatterer over the critic. But those who plan on becoming better, must eventually leave behind the former and listen to the latter.

Driving in a Sea of Clouds

A sea of clouds beneath us.
Mountain chains
like frozen shadows
of surging waves.
The setting sun sinking into the fog
reminds me of the
yolk of a hard boiled egg.
And then, there’s the silhouette of
a mountain, like an island in the middle of
the sea of
clouds, and its peak reminds me of
the tip of
an iceberg.

The steering wheel of the car I’m driving
suddenly feels like the helm of a massive ship,
and I am the captain of that ship.

And now, the car dives like a submarine
into the fog.
I turn the headlights and the fog lights on.
I turn the hazard lights on,
and
its
clicking
sound
becomes our metronome.

I drive slowly,
very slowly.

My wife is in the back seat
next to my seven-month-old son,
who’s sleeping peacefully
in his car seat.

I keep on driving,
and
I drive slowly, very slowly.
And the fog
never
ends.
We can’t see anything.
“I can’t see anything,” my wife says.
“Please, be careful.”
Will the fog ever
end?
And the fog never ends
until it suddenly
finally
ends,
and
we can see
the road ahead of us
again.